Illustration by Michael DeForge / The Local

In this issue

Editor's Letter by Nicholas Hune-Brown

The Value of Art and the Cost of Losing it

Toronto’s cultural institutions are reeling and its artists are struggling. What’s lost when a city no longer supports the arts?

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Feature by Carl Wilson

The Life, and Slow Death, of the Toronto Arts Critic

Toronto once had a thriving ecosystem of cultural critics who prodded, inspired and annoyed both readers and artists. As the media sheds its arts writers, what does a city lose?

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Perspective by Soraya Roberts

Toronto’s Arts Institutions Are Crumbling and it’s Always the Same Story

The trouble at Hot Docs, TIFF, Artscape and the AGO are part of a larger failure in a country that doesn’t take art seriously.

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Essay by Dede Akolo

Building Your Own Art Scene

These four young queer artists couldn’t see a space for themselves in the mainstream Toronto art world. At Hearth, a thriving alternative gallery started in a downtown garage, they created their own.

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Feature by Corey Atad

How to Make a Toronto Indie Movie

Kazik Radwanski is part of a cohort of local filmmakers changing Toronto’s cinematic identity. With his latest film, Matt and Mara, he’s trying to reach an international audience.

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Local voice by D. Ahsén:nase Douglas

Not ‘Indigenous’ Enough

I’ve been told my paintings aren’t really “Indigenous art.” How the commercial demand for one specific version of the Indigenous experience pigeon-holes today’s artists.

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Feature by Aparita Bhandari

From International Student to Popstar

Harkirat Sangha came to Canada to study and ended up driving trucks. He’s now finding fame and fortune singing about it.

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Perspective by Graham Isador

Can Artists Be Parents?

For many Toronto artists, choosing a career in the arts and choosing to have a family can feel mutually exclusive.

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Feature by Tamara Jones

Why Aren’t Arts Workers Unionized?

Behind every piece of art is a community of underpaid, idealistic gallery installers, box office staff, and technicians. Why arts work needs to be seen as real work.